English

Sensation and the City : Charlotte Riddell’s George Geith and the Emergence of the Sensation Genre

Ifill, Helena (2022-07-27)

A Different World : Dorothy K. Haynes’s Domestic Horror

Baker, Timothy (2022-03-10)

Walter Scott at 250

Lumsden, Alison; Archer-Thompson, Kirsty (2022-01-12)

‘Not at all afraid’ : Queer Temporality and the School Detective Story

Baker, Timothy (2021-08-31)

Reproductive pattern of parous women and the risk of cancer in later life

Pasdar, Zahra; Scott, Neil; Iversen, Lisa; Hannaford, Philip; Myint, Phyo K; Bhattacharya, Sohinee (2021-08-01)

Making Space : Key Popular Women Writers Then and Now

Ifill, Helena; Hatter, Janine; Burnham Bloom, Abigail; Costantini, Mariaconcetta; Lambert, Carolyn; Pope, Catherine; Sanders, Valerie (2021-07-08)

Dabbling Among the Unhallowed Relics of the Grave : Waking the Dead in Scott's Castle Dangerous and Count Robert of Paris

Lumsden, Alison (2019-12-01)

Socio-economic inequalities in English schooling under the Coalition Government 2010–15

Lupton, Ruth; Thomson, Stephanie (2015-09-18)

'Your vocation is marriage' : Systematic colonisation, the marriage plot and finding home in Catherine Helen Spence's Clara Morison (1854)

Sharp, Sarah (2019-06)

A Death in the Cottage : Spiritual and Economic Improvement in Romantic-Era Scottish Death Narratives

Sharp, Sarah (Routledge, 2018-04)

Changing distribution of the east coast of Scotland bottlenose dolphin population and the challenges of area‐based management

Arso Civil, Mònica; Quick, Nicola J.; Cheney, Barbara; Pirotta, Enrico; Thompson, Paul M.; Hammond, Phil S. (2019-09)

Objects of Dispute : Planning, Discourse and State Power in Post-war France

Welch, Edward (2018-06-01)

Fear and Pity, Pity and Fear : Rereading Muriel Spark’s The Driver’s Seat in the Age of #MeToo

Baker, Timothy C. (2019-11-30)

Introduction

Alcobia-Murphy, Shane (2019-10-24)

SUSANNA BRAUND and ZARA MARTIROSOVA TORLONE (EDS), VIRGIL AND HIS TRANSLATORS (Classical Presences). Oxford: Oxford University Press, 2018. Pp. ix + 520. ISBN 9780198810810. £110.

Pugh, Syrithe (2020-11-01)

Home and Away : The House in Exilic Narratives

Alcobia-Murphy, Shane (2019-10-24)

Soaring Migratory Birds Avoid Wind Farm in the Isthmus of Tehuantepec, Southern Mexico

Villegas-Patraca, Rafael; Cabrera-Cruz, Sergio A.; Herrera-Alsina, Leonel (2014-03-19)

Exporting 'the cotter's saturday night' : Robert burns, scottish romantic nationalism and colonial settler identity

Sharp, Sarah (2019)

‘Gods that faine to be’ : Political Euhemerism in Spenser’s Mutabilitie Cantos

Pugh, Syrithe (2019-01-31)

The Renaissance Footprint : The Material Trace in Print Culture from Durer to Spenser

Gordon, Andrew (2018-11-20)

AURA - Aberdeen University Research Archive

English

Browse by

Recent Submissions

Sensation and the City : Charlotte Riddell’s George Geith and the Emergence of the Sensation Genre

A Different World : Dorothy K. Haynes’s Domestic Horror

Walter Scott at 250

‘Not at all afraid’ : Queer Temporality and the School Detective Story

Reproductive pattern of parous women and the risk of cancer in later life

Making Space : Key Popular Women Writers Then and Now

Dabbling Among the Unhallowed Relics of the Grave : Waking the Dead in Scott's Castle Dangerous and Count Robert of Paris

Socio-economic inequalities in English schooling under the Coalition Government 2010–15

'Your vocation is marriage' : Systematic colonisation, the marriage plot and finding home in Catherine Helen Spence's Clara Morison (1854)

A Death in the Cottage : Spiritual and Economic Improvement in Romantic-Era Scottish Death Narratives

Changing distribution of the east coast of Scotland bottlenose dolphin population and the challenges of area‐based management

Objects of Dispute : Planning, Discourse and State Power in Post-war France

Fear and Pity, Pity and Fear : Rereading Muriel Spark’s The Driver’s Seat in the Age of #MeToo

Introduction

SUSANNA BRAUND and ZARA MARTIROSOVA TORLONE (EDS), VIRGIL AND HIS TRANSLATORS (Classical Presences). Oxford: Oxford University Press, 2018. Pp. ix + 520. ISBN 9780198810810. £110.

Home and Away : The House in Exilic Narratives

Soaring Migratory Birds Avoid Wind Farm in the Isthmus of Tehuantepec, Southern Mexico

Exporting 'the cotter's saturday night' : Robert burns, scottish romantic nationalism and colonial settler identity

‘Gods that faine to be’ : Political Euhemerism in Spenser’s Mutabilitie Cantos

The Renaissance Footprint : The Material Trace in Print Culture from Durer to Spenser


	The Sir Duncan Rice Library University of Aberdeen Bedford Road Aberdeen AB24 3AA Tel: +44 (0)1224 273330 Email: library@abdn.ac.uk

English

Browse by

Recent Submissions

Sensation and the City : Charlotte Riddell’s George Geith and the Emergence of the Sensation Genre ﻿

A Different World : Dorothy K. Haynes’s Domestic Horror ﻿

Walter Scott at 250 ﻿

‘Not at all afraid’ : Queer Temporality and the School Detective Story ﻿

Reproductive pattern of parous women and the risk of cancer in later life ﻿

Making Space : Key Popular Women Writers Then and Now ﻿

Dabbling Among the Unhallowed Relics of the Grave : Waking the Dead in Scott's Castle Dangerous and Count Robert of Paris ﻿

Socio-economic inequalities in English schooling under the Coalition Government 2010–15 ﻿

'Your vocation is marriage' : Systematic colonisation, the marriage plot and finding home in Catherine Helen Spence's Clara Morison (1854) ﻿

A Death in the Cottage : Spiritual and Economic Improvement in Romantic-Era Scottish Death Narratives ﻿

Changing distribution of the east coast of Scotland bottlenose dolphin population and the challenges of area‐based management ﻿

Objects of Dispute : Planning, Discourse and State Power in Post-war France ﻿

Fear and Pity, Pity and Fear : Rereading Muriel Spark’s The Driver’s Seat in the Age of #MeToo ﻿

Introduction ﻿

SUSANNA BRAUND and ZARA MARTIROSOVA TORLONE (EDS), VIRGIL AND HIS TRANSLATORS (Classical Presences). Oxford: Oxford University Press, 2018. Pp. ix + 520. ISBN 9780198810810. £110. ﻿

Home and Away : The House in Exilic Narratives ﻿

Soaring Migratory Birds Avoid Wind Farm in the Isthmus of Tehuantepec, Southern Mexico ﻿

Exporting 'the cotter's saturday night' : Robert burns, scottish romantic nationalism and colonial settler identity ﻿

‘Gods that faine to be’ : Political Euhemerism in Spenser’s Mutabilitie Cantos ﻿

The Renaissance Footprint : The Material Trace in Print Culture from Durer to Spenser ﻿

Sensation and the City : Charlotte Riddell’s George Geith and the Emergence of the Sensation Genre

A Different World : Dorothy K. Haynes’s Domestic Horror

Walter Scott at 250

‘Not at all afraid’ : Queer Temporality and the School Detective Story

Reproductive pattern of parous women and the risk of cancer in later life

Making Space : Key Popular Women Writers Then and Now

Dabbling Among the Unhallowed Relics of the Grave : Waking the Dead in Scott's Castle Dangerous and Count Robert of Paris

Socio-economic inequalities in English schooling under the Coalition Government 2010–15

'Your vocation is marriage' : Systematic colonisation, the marriage plot and finding home in Catherine Helen Spence's Clara Morison (1854)

A Death in the Cottage : Spiritual and Economic Improvement in Romantic-Era Scottish Death Narratives

Changing distribution of the east coast of Scotland bottlenose dolphin population and the challenges of area‐based management

Objects of Dispute : Planning, Discourse and State Power in Post-war France

Fear and Pity, Pity and Fear : Rereading Muriel Spark’s The Driver’s Seat in the Age of #MeToo

Introduction

SUSANNA BRAUND and ZARA MARTIROSOVA TORLONE (EDS), VIRGIL AND HIS TRANSLATORS (Classical Presences). Oxford: Oxford University Press, 2018. Pp. ix + 520. ISBN 9780198810810. £110.

Home and Away : The House in Exilic Narratives

Soaring Migratory Birds Avoid Wind Farm in the Isthmus of Tehuantepec, Southern Mexico

Exporting 'the cotter's saturday night' : Robert burns, scottish romantic nationalism and colonial settler identity

‘Gods that faine to be’ : Political Euhemerism in Spenser’s Mutabilitie Cantos

The Renaissance Footprint : The Material Trace in Print Culture from Durer to Spenser